Eye Contact

I don't know why some models can do it and some can't, but great eye contact makes me go weak in the knees. I've been shooting for about three years now and only a handful of people have made me stare back at the screen. It amazes me every time. It's a rare gift and I am lucky to be able to capture it.

I think the ones that do it best, rest their eyes between shots. They look away or look down. They refocus every frame. As a photographer, it is important to capture that fresh look, the strong eyes—to know when the model has "the look" and snap the shot. It's important to keep the flow and be prepared. Although I must say, I am guilty of capturing just as many shots of the the model preparing for the shot as I am getting the shot. But that's a skill I'm working on.

I know that when I was the model (see below), I tried refocusing with each frame. And I kept thinking of Tyra saying "Smile with your eyes." I didn't really get it until I was trying to do it myself. You really can smile with the eyes. It's a matter of putting that spark or sparkle in your eyes—telling the viewer that you are more than just a picture, you are alive and you are living in that moment. Some say you capture the soul when you take a picture, I think when you get a picture with good eye contact, you have indeed gotten a glimpse of the soul, but it is a soul that can't be captured because it is off living in the next moment.